Whatchu Know About Chord Progressions ?
Created on: May 2nd, 2006
Sponsorships:
| user | amount | user | amount |
|---|---|---|---|
| No one has sponsored this site ( ._.) | |||
| Sponsor this site! | Total: $0.00 | Active: $0.00 | |
Vote metrics:
| rating | total votes | favorites | comments |
|---|---|---|---|
| (4.34) | 812 | 125 | 205 |
View metrics:
| today | yesterday | this week | this month | all time |
|---|---|---|---|---|
| 0 | 4 | 4 | 0 | 21,350 |
Inbound links:
pretty much all americanmade music, as well as pictures, ideas, names, books, sounds and images are stolen nowadays. Before legislation that almost completely occurred in the last century (most noticably to me around the 1950s as best as my memory serves me), a lot more patents and copyrights were entirely nonrenewable, and after that, songwriters, for example, would lose the individual ownership of the rights to their song and would have to write more to stay recognized, but since all songwriters "suffere
Hello boomaga, it is I... DOtheDateRape... I come to you in great need of your neverending wisdom. I have a good audio for a YTMND, but I want to sync the mouth movements with the audio. I have the several basic pictures with the mouth opening and closing, I just need to know how to match the timings with the audio and the visual. Any suggestions?? Thankyou for your time. Your humble servant: DoTheDateRape.
What's funny is all the people who are commenting about things like "You can speed it up to make it match, but that doesn't mean anything, because it changes the sound" without understanding that it's the relationships between the pitches (as in, the progression of the chords) that's the entire point of the YTMND.
Oleander, you could take a computer, and program it to sequentially play every combination of notes of length x. Of course the difference is going to be the rhythm. Look at Smoke on the Water. Classic song, but pretty distinctive. If a classical composer came up with that combination of notes, they didn't use it in the same way. Deep Purple actually came up with something.
Ok, you critics don't realize this important thing: the point of this wasn't to match up the tempos; it was to demonstrate the high similarity between the chord progressions (not the actual notes, but the relative position of the successive notes to each other on a musical scale e.g. the progression A B D A B is the same as C D F C D). You can transfer a melody up and down the scale all you want, but the relative progressions will be the same no matter what.
Bold
Italic
Underline
Code
User Link
Site Link